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林奕华×台湾骉舞剧场《两男关系》 [已结束]

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林奕华×台湾骉舞剧场《两男关系》
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基本信息

2016.06.03 - 2016.06.04

广州大剧院-实验剧场

约70分钟(无中场休息)

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演出时长:约70分钟(无中场休息)

*作品曾获2013年德国库特•尤斯国际编舞大赛金奖、最佳观众票选金奖

有一种激情,不在乎性别也无关风月;

有一种攻陷,无法察觉却能全面渗透;

有一种关系,看似平淡,却是剪不断,理还乱

他和他,是朋友也像家人;

他和他,是工作伙伴也是竞争对手;

他和他,不是情人却比情人更亲密;

他和他,说不出口的关系,其实更多,更复杂……

距离最相近的两位伙伴,真的了解彼此吗?

人与人之间的情感千百种,彼此支撑的同伴,靠得越近,越习惯忽略对彼此的情感


团队

一个两岸三地最犀利的文化观察家,抽丝剥茧最长情的两男关系;

一个酷帅却充满江湖气的芭蕾王子,

一个圆胖却灵活矫健的邋遢宅男,

交织出一段横跨15年友谊的生命探索。


概念| 林奕华

活跃两岸三地的舞台剧导演林奕华首度跨界舞蹈剧场的作品。选择与合作多年的台湾骉舞剧场编舞家陈武康、苏威嘉共同创作《两男关系》,起心动念的一瞬,林奕华只是为了一圆二人想同台跳舞的想望,没想到却从两人嘻哈笑闹的表层探察出敏感男人之间、只会嘴上逞能而害怕情感表达的通性,从兄弟情谊的两男关系,到后来不得不面对的两难关系。幕下曲终人散,两男关系仍会继续,而对两难关系的探问过程,则是对彼此15 年情谊的最美告白。

“男生跟男生之间,往往觉得最理想的境界就是什么都不用讲,看一看彼此就都知道大家在想什么。他们并不像他们以为的那么了解对方。两个男性的关系,有时也是某一种两难。”


舞蹈| 陈武康

拥有舞者应该具备的绝佳外型条件:浓眉大眼的粗犷气质、帅气挺拔的贵族气势,加上优美利落的舞蹈身段,偏偏个性仗义且出口成“脏”,一度被台湾媒体昵称为“芭蕾流氓”。编舞风格有后现代自由开放的即兴感,旅美期间被媒体盛赞为“最符合巴兰钦典范的舞者”。

“林奕华从他的角度让我们了解到,我们对彼此的关心其实不够深刻。我们从来没有在一起拥抱超过5秒。”


舞蹈| 苏威嘉

圆胖可爱的外型,总让初次见面的人质疑他的舞者身份,但是只要有幸见识到他的灵活身段及喜感天成的舞姿,马上就能被他吸引。台湾人赞美他是“舞蹈界的洪金宝”,舞蹈大师艾略特•费尔德曾以“王子的灵魂住在胖子的身体里”来形容他的特别。

“我是学弟,他是学长,我很早知道他。在纽约的时候,他跳舞,我在旁边看,我会眼眶泛红。”


音乐| 李世扬

跨足于古典音乐与即兴演奏的钢琴家,曾与欧洲著名钢琴家Fred van Hove 合作发行《冬至Galactic Alignment》,获得美国 The New York City Jazz Record 年度新发行荣誉提名。《两男关系》的音乐被德国媒体评论为:“当钢琴家把钢琴当弹拨和打击乐器使用,在舞台上兴风作浪时,几乎抢尽整部剧的风采。”


评论

他们比Pilobolus 舞团多一点温暖与亲和力,那你可以想见骉舞剧场是一个什么样的团体。作品犹如一场飨宴,各个舞段争奇斗艳,舞者展现轻快敏捷的肢体与精湛的戏剧天赋。——《纽约时报》

整个作品诚意十足,给人清新的感受。在《两男》里,舞蹈是情感的血肉,需要语言的文本结构皮囊落实为人形。而音乐,则是能渗透两人关系的灵魂。——《表演艺术》

他们的舞特别不林怀民,他们很个性,很现代,我就是我,我没有五千年的历史。这跟我自己反叛的性格很合拍。——林奕华

《两男关系》是很危险的赌注,它在赌武康和威嘉 15 年来的友谊,同时也在赌观众是否信任友谊。赤裸地呈接彼此的情绪是《两男》面对友情的方式。——MOT TIMES


Dance Theatre: 2 Men by HORSE & Edward Lam

-- Two men who are most familiar with each other. Really?

Performance Time: 2016/6/3-4 (Fri.-Sat.) 8 p.m.

Performance Venue: Experimental Theatre, Guangzhou Opera House

Price: 80 180 280

2 MEN is the collaborative creation between Edward Lam, the sharpest observer of culture on both sides of the Taiwanese Strait, and the choreographers Wu-kang Chen and Wei-chia Su. Starting with the premise of "two men who are most familiar with each other," Lam adds a whole new source of stimulation. This new point of view liberates the two performers from their habit of developing movements from physical elements and turns them towards a psychologically-based starting point.

Music-wise, the artists collaborate with improvisational pianist Shih-yang Lee in the daring use of the prepared piano devise. Lee’s energetic, explosive piano work most certainly ups the ante on the experimental nature of the two HORSE artists’

The logo of HORSE is a Chinese character made of three horses, indicating the strong motivation, explosive energy. Founded in December 2004, HORSE has established a distinctive profile with delicate physical movements and unrestricted creativities. The unique and collaborative style brings the current generation beyond the standard frame of performances. They have created unique dance expression by infusing eastern philosophy and Taiwanese old tale with contemporary dance. HORSE aims to develop more groundbreaking performances and to establish a repertoire of “changeable”, “multi-faceted” and “diverse” styles by focusing on the higher level of art designs and exploring the origin of linguistics.


CREATIVE GROUP

Wu-Kang CHEN Artistic Director (Choreographer, Dancer)

Chen was born in Kaohsiung, Taiwan, he joined Eliot Feld’s Ballet Tech Company in 2001 where he became a soloist the following year. Chen performed Feld’s MANDANCE PROJECT in New York from 2004~2013. Chen received a fellowship from Asia Culture Council in 2013.

In 2005, he co-founded HORSE, the work Velocity, awarded by the Taishin Arts Award in 2007, performed at the Joyce Theater in New York the following year. HORSE has toured to Guangzhou, Shanghai, Singapore, Düsseldorf, Hellerau. In 2013, the work of HORSE 2 MEN won the First Prize and Audience Prize in Kurt-Joss-Preis Choreography Competition.


Wei-Chia SU Director (Choreographer, Dancer)

Su is graduated from National Taiwan University of Arts. He co-founded HORSE in 2005, and has created / co-choreographed /performed M dance, Stairs, Velocity, Bones, Growing Up, I, SuccessorI / II / III, 2 Men (First Prize and Audience Prize in Kurt-Jooss-Preis) and Playdead. In 2009, Su was invited to New York, to perform with Ballet Tech in a new ballet by Eliot Feld called The Spaghetti Ballet. Feld has also choreographed two solos for Su.


Edward Lam Director (Scriptwriter)

One of today's most popular and critically acclaimed directors in the Chinese theatre scene. From 1989 to 1995 he studied theatre and dance in London during which he founded Edward Lam Dance Theatre and showcased his theatrical works in London, Brussels, Paris and Hong Kong. In 1994, he won Best Adapted Screenplay at Taiwan’s prestigious Golden Horse Awards for the film Red Rose, White Rose, directed by Stanley Kwan. After returning to Hong Kong in 1995, he devoted himself to promoting theatre. He has, to date, directed over 50 works as well as worked with artists and organizations.


Shih-Yang LEE Composer (Piano Soloist)

As a composer and piano soloist, Lee moves with ease between classical music and improvised music, the founder and co-leader of the improvisation ensemble Ka Dao Yin. Its debut album "Four Characters" is recognized with the 3rd Taiwan Golden Indie Music Award. The second album "Slow" has won the Taiwan Golden Melody Award of Traditional Arts and Music for "Best Crossover Music”. In 2013, Lee was the first Taiwanese musician being invited to perform in the MÉTÉO Music Festival Mulhouse, France. His recent live album Galactic Alignment has received "Honorary Mention" releases from The New York City Jazz Record.


Joanne Chao-Chun CHEN (Lighting Designer)

Chen owned her BFA degree in Stage Lighting Design, graduated from Theatrical Design & Technology Department at the Taipei National University of the Arts. Chen works as lighting designer and teacher in Technical Direction course. Despite of lighting designer she also collaborates with various performing arts groups in Taiwan as lighting designer assistant, master electricity and stage manager on different scale events or productions, such as Deaf Olympics opening ceremony in 2009, with HORSE in 2009-2014, Way Out by Fang-Yi Sheu & Artists in 2012.

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2016-06-01 00:56:17     来自 iOS客户端

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永乐客服 回答于: 2016-06-01 08:13:42

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