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2016.05.15

苏州文化艺术中心-大剧院

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柏林爱乐单簧管首席安德烈斯•奥登萨默独奏音乐会


安德烈斯.奥登萨默

安德烈斯.奥登萨默以美丽独特的音乐获得观众与乐评的盛赞。1989年出生于维也纳的音乐世家,同时具备奥地利与匈牙利的血统,奥登萨默很早便被音乐吸引,四岁开始学习钢琴,十岁在维也纳国立音乐暨表演艺术大学学习大提琴,2003年转攻单簧管,拜入维也纳爱乐单簧管首席辛德勒门下;而大提琴的经历也帮助了他在单簧管的演奏风格,以维也纳式管径比较宽的乐器,演奏出温暖丰富且具有深沉色彩的乐音。

奥登萨默曾在维也纳州立歌剧院管弦乐团与维也纳爱乐管弦乐团担任助理团员,也曾加入马勒青年管弦乐团。2009年,他中断了在哈佛的学业,选择进入柏林爱乐学院进修,从2010年7月至2011年2月,担任柏林德意志交响乐团单簧管首席;2011年2月,他被任命为柏林爱乐管弦乐团单簧管首席。

奥登萨默曾在许多音乐大赛以单簧管、大提琴、钢琴乐器赢得首奖,并经常以独奏家、室内乐演奏家的身分巡回世界重要的音乐厅演出,包括维也纳金色大厅、维也纳音乐厅、林兹布鲁克纳音乐厅、格拉兹音乐协会厅、柏林爱乐厅、柏林活动中心、鹿特丹多伦音乐厅,以及首尔艺术中心等等。

奥登萨默曾合作过的艺术家包括钢琴大师普莱亚、挪威钢琴家安滋涅斯、希腊小提琴家卡瓦柯斯、荷兰小提琴家杨森、奥地利大提琴家哈根、华裔大提琴家马友友等人。他的父亲恩斯特与哥哥丹尼尔都在维也纳爱乐管弦乐团担任单簧管首席,三人于2005年合组一个单簧管三重奏团体?The Clarinotts?,致力于单簧管合奏演出,也首演了数个献给他们的作品。

2013年,奥登萨默与DG唱片/Mercury Classics签署合约,成为DG黄标的第一个专属的单簧管演奏家,2013年6月发行首张专辑《悠扬韵律 - 单簧管素描》中收录了柯普兰、史博以及奇马罗萨的协奏曲,以及盖希文、德布西等作曲家的小品改编,由加拿大青年指挥家、费城管弦乐团音乐总监亚尼克.内杰瑟昆指挥的鹿特丹爱乐管弦乐团。 奥登萨默对于这张专辑曾表示:?这是一个充满挑战的专辑,充满不同的音乐与演出风格,然而同时之间我还要保有高度个人的诠释与音色。?

除了音乐演出之外,安德烈斯.奥登萨默也热爱运动,他曾是网球选手,在2007年也曾与哥哥丹尼尔组织一个维也纳DSG联盟的足球队?维也纳大师?,当安德烈斯.奥登萨默有空的时候,他仍会回到维也纳参与足球队的比赛。

除了古典音乐之外,奥登萨默也开拓至其他类型的音乐演出,他曾参美国流行歌手多莉?艾默丝的专辑《夜间猎人》的录制;对于室内乐,奥登萨默也抱有非常高度的热忱,他与阿根廷钢琴家荷西?葛拉多共同担任瑞士布尔根施托克艺术节的艺术总监,曾邀请中提琴家孟克梅耶、哈根四重奏的大提琴家克莱门斯与中提琴家维若妮卡、柏林爱乐双簧管首席阿贝利希?梅尔、德国小提琴家李努斯?洛斯、日裔大提琴家石坂团十郎、卡尔弗莱什小提琴大赛冠军舒密特、齐玛诺夫斯基四重奏等参与演出。

奥登萨默以优美的音色、鲜明的音乐性在不同的音乐类型都获得高度肯定,德国每日镜报曾形容:?他的演出彷佛没有音量的限制……他音乐的活力打破了既有限制。?荷兰鹿特丹商报:?安德烈斯.奥登萨默融化了他的乐器,他是个超级的独奏家,写下当今乐坛炙手可热的现象。?知名乐评家施密特在Musical America写下:?奥登萨默的演奏格外精彩,也充满了忧郁的气质。?


钢琴

荷西.格拉多

格拉多生于阿根廷首都布宜括斯艾利斯。自五岁便开始在布宜诺斯艾利斯音乐院修习钢琴,之后,他跟随任教于德国美因茨大学音乐系的Poldi Mildner教授学习,于1997年毕业。

期间他发现自己热爱室内乐,并受到许多的演奏家启发,如梅纳翰.普雷斯勒、Alfonso Montecino、卡尔-海因茨•凯莫林、谢尔盖•杰利毕达克、Rosalyn Tureck。

格拉多获奖无数,1990获德国Westphalian Music Festival in Hamm首奖;1990年,德国美因茨大学颁予"Johannes Gutenberg"奖项;1992年,荣获意大利Cantù国际钢琴大赛首奖;1995年与大提琴家Sung Hyun-Jun于意大利特拉帕尼赢得国际报业评审奖及首奖。常受邀担任音乐节演出嘉宾,曾参加德国洛肯豪斯室内音乐节、意大利Asiago国际音乐节、德国普福尔而兹海姆 "Music of the World" 音乐节、德国克龙贝格大提琴节、德国Castle Festival in Zwingenberg、德国Days of Culture in Appenau音乐节、德国德勒斯登"Sandstone and Music"音乐节、德国路德维格城堡音乐节、德国莱茵音乐节等等,并于欧洲、亚洲、以色列、大洋洲与南美洲皆举办多场音乐会。

The Austrian clarinettist Andreas Ottensamer has captured audiences and critics alike with the singular beauty of tone that he coaxes from the instrument. At one stage he studied the cello, which perhaps has helped to imbue his approach to the clarinet with a soulful depth. His Viennese instrument, with a wider bore than the closely related German-system clarinet, produces a particularly dark, expansive and warm tone, which he exploits to full advantage.

Born in 1989, Ottensamer comes from an Austro-Hungarian family of musicians and was drawn to music early, receiving his first piano lessons when he was four. At the age of ten he began studying cello in his home town at the University of Music and Performing Arts Vienna, then changed to the clarinet under Johann Hindler in 2003.

Andreas Ottensamer gained his first orchestral experience as a deputy in the orchestra of the Vienna State Opera and the Vienna Philharmonic and as a member of the Gustav Mahler Jugendorchester. In 2009 he interrupted his Harvard studies to become a scholar of the Orchestra Academy of the Berliner Philharmoniker. From July 2010 to February 2011 he has played as principal clarinettist with the Deutsches Symphonie-Orchester Berlin.

Since March 2011 he is principal clarinettist of the Berlin Philharmonic.

Ottensamer has won first prize in competitions for clarinet, cello and piano, and performs as a soloist and chamber musician throughout the world in venues such as Musikverein Wien, Konzerthaus Wien, Brucknerhaus Linz, Musikverein Graz, Philharmonie Berlin, Tempodrom Berlin, De Doelen Rotterdam, and Seoul Arts Center. His artistic partnerships include work with Murray Perahia, Leif Ove Andsnes, Leonidas Kavakos, Janine Jansen, Clemens Hagen and Yo-Yo Ma. In 2005 Andreas Ottensamer founded the clarinet trio The Clarinotts with his father Ernst and brother Daniel, both solo clarinettists in the orchestra of the Vienna State Opera and the Vienna Philharmonic. Several works have been dedicated to the ensemble.

In February 2013 Andreas Ottensamer entered an exclusive recording partnership with Deutsche Grammophon/Mercury Classics, making him the first ever solo clarinettist to sign an exclusive agreement with the Yellow Label. His first album, Portraits – The Clarinet Album, has been released in June 2013 and features concertos by Copland, Spohr and Cimarosa, plus arrangements of short pieces. His partners are the Rotterdam Philharmonic Orchestra under Yannick Nézet-Séguin.

He said of the recording: “This album poses the challenge of jumping between different styles and ways of playing, but at the same time I set a high priority on maintaining my personal interpretation and sound.”

For a man who is so dedicated to music, Andreas Ottensamer is also passionate about sport. For many years he was a tennis tournament player, and together with his brother he founded his own football club, the Wiener Virtuosen, in 2007. The team plays successfully in the Wiener DSG league and Ottensamer still travels to Vienna for matches whenever his schedule permits.

Apart from his extensive activities within the world of classical music, Andreas Ottensamer has widened his horizon to other musical fields, resulting in a collaboration and recording with Tori Amos on her album Night of Hunters.

Andreas Ottensamer is very passionate about chamber music. He is artistic director of the "Buergenstock Momente" - Festival in Switzerland together with pianist José Gallardo. Artists such as Nils Mönkemeyer, Clemens & Veronika Hagen, Albrecht Mayer, Linus Roth, Danjulo Ishizaka, Benjamin Schmid and the Szymanovksi Quartet have been part of the festival.

The beauty of tone and distinct musicality over a wide range of styles have won extensive critical plaudits for Andreas Ottensamer. Sybill Mahlke wrote in Der Tagesspiegel of his “limitless dynamic range……he plays with a vitality that pushes boundaries.” NRC Handelsblad said: “Andreas Ottensamer melts with his clarinet . . . he is an ‘übersolist’ and a phenomenon.” Rebecca Schmid wrote for MusicalAmerica.com: “Solo clarinettist Andreas Ottensamer played with particular finesse . . . and a touch of melancholy.”


José Gallardo

José Gallardo was born in Buenos Aires, Argentina. At the age of 5, he began to take piano lessons at the Conservatory in Buenos Aires. Later, he continued his studies with Prof. Poldi Mildner at the Department of Music, University of Mainz, Germany, from which he graduated in 1997. During that time, he already discovered his predilection/affectation for chamber music.

He was musically inspired by artists like Menahem Pressler (Trio Beaux Arts, New York), Alfonso Montecino (Bloomington, Indiana), Karl-Heinz Kämmerling (Hanover, Germany), Sergiu Celibidache (Munich, Germany), and Rosalyn Tureck (New York).

José Gallardo received numerous national and international awards, such as: In 1990, he won the first prize at the Westphalian Music Festival in Hamm, Germany. In 1991, he was given the "Johannes Gutenberg" award by the University of Mainz, Germany. In 1992, he won the first prize at the international Piano Contest in Cantù, Como, Italy. Together with cellist Ms. Sung Hyun-Jun he won the first prize and the prize of the international press jury in Trapani, Italy, in 1995.

Invitations to numerous musical festivals, such as:

Festival of Chamber Music in Lockenhaus, Germany

Festival of Asiago, Italy

"Music of the World" Festival in Pforzheim, Germany

Cello Festival in Kronberg, Germany

Castle Festival in Zwingenberg, Germany

Days of Culture in Appenau, Germany

"Sandstone and Music" in Dresden, Germany

Ludwigsburg Castle Festival, Germany

Rheingau Musical Festival, Germany

Concerts in Europe, Asia, Israel, Oceania, and South America.

Chamber musical cooperations with Alberto Lysy, permanent partner of the Israeli percussionist Chen Zimbalista and Linus Roth, Natascha Korsakova, Friedemann Eichhorn, Sung Hyun-Jung, Julius Berger, Martin Dobner et al.

He gives concerts in domestic music halls and abroad, amongst these are the Tonhalle in Zurich, the Musikhalle Hamburg, the Kurhaus in Wiesbaden, the Teatro della Pergola Florence and the Wigmore Hall in London. In 2005, several concerts will be arranged in New York and Chicago. Further, CD recordings are planned, amongst others in collaboration with Linus Roth for EMI Classics.

节目单

演出曲目 Programme

柯瓦契      向理查德史特劳斯致敬

BELA KOVACS      Homage à R. Strauss

马勒      歌曲精选,改编给单簧管与钢琴

MAHLER      selected songs

 

布拉姆斯      〈我的思绪如乐曲一般〉,改编给单簧管与钢琴

BRAHMS      Wie Melodien zieht es mir  (Arranged for clarinet and piano)

舒伯特      阿贝鸠奈奏鸣曲,改编给单簧管与钢琴

SCHUBERT      Arpeggione Sonata  (Arranged for clarinet and piano)


中场休息 Intermission


贝多芬      〈让我们手牵着手〉主题变奏曲,选自莫扎特歌剧《唐乔凡尼》

BEETHOVEN       Variations on Mozart's La ci darem (Don Giovanni)

尼诺?罗塔      奏鸣曲

NINO ROTA      Sonata

卡瓦里尼      慢板与塔朗泰拉舞曲

ERNESTO CAVALLINI      Adagio e Tatantella

卢依齐·巴西      威尔第《弄臣》幻想曲

LUIGI BASSI      Fantasy on Verdi's Rigoletto

以实际演出曲目为准

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