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意大利米兰斯卡拉歌剧院芭蕾舞团《巴赫无伴奏大提琴组曲》 [已结束]

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意大利米兰斯卡拉歌剧院芭蕾舞团《巴赫无伴奏大提琴组曲》
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2016.09.17

广州大剧院-歌剧厅

以演出现场为准

75分钟

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意大利米兰斯卡拉歌剧院芭蕾舞团《巴赫无伴奏大提琴组曲》



意大利米兰斯卡拉歌剧院芭蕾舞团《巴赫无伴奏大提琴组曲》

——巴洛克时期“大提琴圣经”与现代极简美学的精彩碰撞

演出时间:2016年9月17日(周六)15:00  20:00

演出地点:广州大剧院 歌剧厅

演出票价:180 280 480 680 880 1280VIP


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意大利米兰斯卡拉歌剧院芭蕾舞团《巴赫无伴奏大提琴组曲》



这不是一个简单机械而冰冷的舞蹈炫技,相反,在每个令人惊艳的舞步中,你都能发现令人钦佩的情感运用!

——意大利《Note Di Danza》

史波利的作品卓越而富有诗意,并特别展现了斯卡拉年轻舞者的精湛技艺。

——意大利《宣言报》


*演出时长75分钟


编导:海因兹•史波利(Heinz Spoerli)

音乐:选自《巴赫无伴奏大提琴组曲》第二、三、六组曲

现场大提琴演奏:斯卡拉爱乐乐团首席大提琴 桑德罗•拉夫兰基尼(Sandro Laffranchini)


意大利米兰斯卡拉歌剧院芭蕾舞团《巴赫无伴奏大提琴组曲》


巴洛克情怀与极简的诗意

如果说巴赫是大师中的大师,那么他为大提琴独奏写的六组无伴奏大提琴组曲则是经典中的经典。被腓特烈大帝赞誉为“音乐之父”的巴赫是巴洛克音乐的集大成者,一生创作了千余部作品,而他为当时尚具有争议的大提琴创作的六首无伴奏大提琴组曲被后世称为“大提琴圣经”,不仅促进了大提琴这一乐器的发展,更是大提琴演奏家的技术与修养的试金石。

从卡萨尔斯开始,巴赫无伴奏大提琴组曲对爱乐者来说,无疑成为无限的意义延伸。表面上,它是六首为大提琴所写的组曲,但经过听者的心灵诠释,它可以是苦涩的咖啡、可以是独处的气氛、可以是良心的导师、可以是音符散文……以及许多不可测的瑰丽未知。

伴以充满诗情的对话,巴赫的音乐与舞者优美矫健的肢体完美地辉映着,舞者的肢体仿佛被风塑造成一个又一个充满想象力的姿态。没有叙事的舞蹈纯粹且抽象,却是人类最本真的表达。海恩兹•史波利从巴赫组曲中获得灵感,将六首组曲重新组合,创作出两部当代芭蕾作品——《巴赫无伴奏大提琴组曲:物生》(组曲1、4、5号)和《巴赫无伴奏大提琴组曲:风起》(组曲:2、3、6号),写意地用独舞、双人舞、三人舞、群舞表现出美的瞬间。


意大利米兰斯卡拉歌剧院芭蕾舞团《巴赫无伴奏大提琴组曲》


编舞家心中的巴赫

海恩兹•史波利(Heinz Spoerli)是当今最著名的欧洲编舞家之一,这位在古典芭蕾与现代美学之间自由穿梭的“造舞者”(相比“编舞家”,他认为“造舞者”一词能够更准确地描述自己对不同类型舞蹈的尝试)的作品是许多世界一流舞团的保留剧目。追求完美的性格使史波利在编舞中经常坚持“黄金准则”,他的作品拥有令人叫绝的造型、流畅灵动的动作、和谐丰富的线条与形式感极强的调度,舞台上所有元素都经过精确缜密的计算后方选择地纳入创作,使得舞台上的一切达到一种美学上的平衡。

对于史波利来说,巴赫的音乐就是取之不尽的灵感源泉。“每当我听巴赫,都会感受到自己内心的悸动。从二十岁起,我开始尝试采用巴赫的音乐进行创作。九十年代初,我在德国杜塞尔多夫创作了《哥德堡变奏曲》,很多评论声称这是那个时代最重要的创作之一。接着,我用巴赫六首无伴奏大提琴组曲创作了两个芭蕾作品:《Cello Suites - Und mied den Wind》和《Cello Suites - In den Winden im Nichts》。最初,是柏拉图提出的三个自然元素——土、火、水激发了我的灵感,创作出《物生》;随后,我以第四种自然元素‘风’为主题,创作出《风起》。巴赫无伴奏大提琴组曲内涵广博,给了我无限的创作自由,得以将古典芭蕾的技术技巧与现代舞蹈的自由流畅融为一体——这是不断丰富发展古典芭蕾的有效途径之一,也是我终生追求的目标。”


意大利米兰斯卡拉歌剧院芭蕾舞团《巴赫无伴奏大提琴组曲》



现场大提琴演奏:斯卡拉爱乐乐团首席大提琴 桑德罗•拉夫兰基尼(Sandro Laffranchini)

拉夫兰基尼出生于意大利布雷西亚的一个音乐世家,6岁起师从担任斯卡拉爱乐乐团首席大提琴的父亲学习大提琴。考入米兰音乐学院后,拉夫兰基尼师从Maria Leali,并以最优成绩毕业。随后,他跟随Mario Brunello、Rocco Filippini、Thomas Demeng等大提琴家学习深造,多次在国内外重要赛事上荣获奖项。1999年,他在斯卡拉爱乐乐团大提琴演奏家中名列首位,担任乐团首席大提琴家至今。2003年,拉夫兰基尼作为首席大提琴家加入由捷杰耶夫执棒的世界和平管弦乐团,他还曾担任伦敦交响乐团、苏黎世歌剧院乐团的首席大提琴家。


意大利米兰斯卡拉歌剧院芭蕾舞团《巴赫无伴奏大提琴组曲》


来自芭蕾故乡意大利的世界名团——意大利米兰斯卡拉歌剧院芭蕾舞团

众所周知,芭蕾艺术萌生于意大利,成熟于法国,辉煌于俄罗斯。比之法国芭蕾的浪漫情调、俄罗斯芭蕾的宏大场面,意大利芭蕾的长处在于高超的技术——纵观芭蕾史,那些将芭蕾的种子带到法国宫廷里的艺术家、那些名留青史的早期芭蕾巨星们,大多带着意大利血统。

作为意大利最著名的芭蕾舞团,斯卡拉歌剧院芭蕾舞团的前身——斯卡拉皇家舞蹈协会由18世纪著名舞蹈表演家、编导家、教育家加斯佩罗•安焦利尼创办于1779年,随后他还创立了附属芭蕾舞校,意大利芭蕾史由此翻开了新的一页。

两百多年以来,斯卡拉歌剧院芭蕾舞团的舞台吸引了众多芭蕾大师和芭蕾明星,如乔治•巴兰钦、罗兰•佩蒂、莫里斯•贝雅、鲁道夫•努里耶夫等等。如今,舞团拥有斯维特拉娜•扎哈罗娃、罗伯特•波雷、马西莫•穆鲁等明星舞蹈家以及经过严苛选拔的首席演员、客座演员、独舞演员、群舞演员。斯卡拉歌剧院芭蕾舞团在复兴意大利芭蕾流派传统优势的同时,也积极吸收斯卡拉歌剧院底蕴深厚的音乐传统,还为年轻新锐的编舞家提供了更多创新的机会。

在培养、引进优秀芭蕾舞演员的同时,斯卡拉歌剧院芭蕾舞团近年来更积极地实践“走出去”,曾在巴黎歌剧院、莫斯科大剧院、马林斯基剧院等世界一流剧院精彩献演,足迹遍布世界。


意大利米兰斯卡拉歌剧院芭蕾舞团《巴赫无伴奏大提琴组曲》


演员阵容

Nicoletta Manni 妮科莱塔•曼尼

Claudio Coviello 克劳迪奥•柯维罗

Antonino Sutera 安东尼诺•苏特拉

Mick Zeni 米克•泽尼

Walter Madau 沃特•马杜

Eugenio Lepera 欧根尼奥•勒佩拉

Alessandra Vassallo 亚历珊德拉•瓦萨洛

Virna Toppi 维尔娜•托比

Timofej Andrijashenko 提莫菲•安德烈亚申科

Vittoria Valerio 维托里亚•瓦莱里奥

Marco Agostino 马尔科•阿戈斯蒂诺

Denise Gazzo 丹妮丝•嘉佐

Nicola Del Freo 尼古拉•德•弗雷欧

Antonina Chapkina 安托尼娜•查普金那

*具体信息以现场演出为准


CELLO SUITES by Ballet Company of Teatro alla Scala di Milano


Performance Time:2016/9/17 (Sat.) 3pm 8pm

Performance Venue:Opera Hall, Guangzhou Opera House

Price:180 280 480 680 880 1280VIP


Choreography: Heinz Spoerli

Music: Johann Sebastian Bach’s Suites for Cello solo No. 2, 3 and 6

Sets: Sergio Cave

Costumes: Heinz Spoerli

Lights: Martin Gebhardt


Duration: 75 minutes


A poetic dialogue where music and dance are in perfect harmony, and where the artists’ bodies, almost shaped by the wind, vibrate like cello strings. Pure dance without narration, abstract but profoundly human. Spoerli reveals his “neoclassical and musical” style inspired by Baroque music, and by the Bach Suites. Earth, water and fire were the elements he drew on for the first three; for Cello Suites (2003) it is air that permeates his choreography for Suites Nos. 2, 3 and 6. Wisps of smoke curl upwards from the solitary item of scenery, and a big ring embraces the 18 movements that make up the three parts of the ballet and acts as their unifier. Colored by the red, green and blue of the costumes, the different musical and choreographic atmospheres unfold in a succession of solos, pas de deux, and pas de trois, and in ensemble moments for the ballet company, embracing every nuance of the emotions.


Words from Choreographer Heinz Spoerli


Every time I listen to Bach, I feel my heart leap. To me, his music is an inexhaustible source of inspiration, and it has been so since I was in my twenties, even before I choreographed a version of the Goldberg Variations in Düsseldorf, Germany, at the beginning of the Nineties, which was acclaimed by many critics as one of the most important choreographic creations of the time. With the same enthusiasm I subsequently tackled Bach’s Six suites for unaccompanied cello in two phases, creating two ballets: Synopsis Und mied den Wind (Suites 5, 4 and 1), and In den Winden im Nichts (Suites 2, 3 and 6). In the first, I was inspired by the idea of three of the Platonic elements: earth, water and fire. The subject of the second, which is now to enter the repertoire of the Teatro alla Scala, is the fourth element - air - the wind. In the three Suites that make up In den Winden im Nichts, it is Bach himself who includes very real dance forms, such as the sarabande, the minuet, the gavotte, all of which provided me with further motivation to create abstract pieces inspired by them. In the Suites, I felt free to create, starting with the academic danse d’école, a sort of freestyle, and I was convinced of the need to promote research into classical ballet, which has always guided my commitment in this field.


Cello: Sandro Laffranchini


Descending from a family of musicians in Brescia, he began studying the cello at the age of six under the guidance of his father (principal cello of the Teatro alla Scala from 1969 to 2005) and studied with Maria Leali at the Milan Conservatory, where he graduated in 1993 with the highest honors. He improved his musical studies at the Romanini Foundation in Brescia with Mario Brunello, at the Academy Walter Stauffer in Cremona with Rocco Filippini and at the Hochschule für Musik in Basel with Thomas Demenga. After having received significant national and international awards (Stradivari Competition, Rotary, Pinerolo, Stresa), in 1998 he won the competition for principal cello at the Accademia di Santa Cecilia in Rome. The following year he ranked first in the competition for principal cellist of the Teatro alla Scala and the Philharmonic Orchestra of the Teatro alla Scala in Milan, a position he continues to hold today.


Since 2003 he has been collaborating as a first cello with the World Orchestra for Peace, conducted by Valery Gergiev, playing then the same role with the London Symphony Orchestra and with the Opera Orchestra of Zurich. As a soloist, he performed with several orchestras such as the Filarmonica Italiana, Umbra e Siciliana, the Osaka Symphony, the Symphony of Siberian Krasnoyarsk, and with the chamber orchestras of La Scala. He has recorded several works with the Altus Trio, an ensemble composed by the violinist Klaidi Sahatchi, the pianist Andrea Rebaudengo and himself.  He has recently published the Cello Suites by Johann Sebastian Bach on CD and DVD. Since 2011 he has been artistic coordinator of the Ensemble of the Teatro Grande in Brescia. He plays a Carlo Antonio Thestor cello manufactured in 1730.


Ballet Company of Teatro alla Scala di Milano


The Ballet Company of Teatro alla Scala is the resident classical ballet company at La Scala in Milan, Italy. One of the oldest and most renowned ballet companies in the world, the company predates the theatre, but was officially founded at the inauguration of La Scala in 1778. Many leading dancers have performed with the company, including Mara Galeazzi, Alessandra Ferri, Roberto Bolle and Carla Fracci.


Recent years have seen the La Scala Ballet expand its visibility at home and abroad, with debut performances at the Paris Opera, Moscow’s Bolshoi Theatre, the Mariinsky (Kirov) Theatre, and in the USA, Germany, Turkey, Brazil, Spain, Mexico and China etc. Now the company has étoiles Svetlana Zakharova, Roberto Bolle, Massimo Murru, guest artists Maria Eichwald, Polina Semionova, Alina Somova, Federico Bonelli, Leonid Sarafanov, principals Nicoletta Manni, Marta Romagna, Claudio Coviello, Alessandro Grillo, Antonino Sutera, Mick Zeni, newly appointed soloists and the many Corps de Ballet members.


Cast

Nicoletta Manni

Claudio Coviello

Antonino Sutera

Mick Zeni

Walter Madau

Eugenio Lepera

Alessandra Vassallo

Virna Toppi

Timofej Andrijashenko

Vittoria Valerio

Marco Agostino

Denise Gazzo

Nicola Del Freo

Antonina Chapkina


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意大利米兰斯卡拉歌剧院芭蕾舞团《巴赫无伴奏大提琴组曲》
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