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2013.09.13

上海交响乐团演奏厅

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演出详情

柴琼妍钢琴独奏音乐会

Jenny Q Chai‘s Piano Recital

钢琴:柴琼妍

Jenny Q Chai, piano


柴琼妍


柴琼妍

作为一个被誉为“辉煌、无畏的年轻钢琴家,” 柴琼妍(Jenny Q Chai)活跃于当今国际舞台,她最全心投入也最擅长的是演绎当代音乐。

柴琼妍是Yvar Mikhashoff 2011年国际比赛冠军,“通向未来”国际当代钢琴比赛一等奖获得者,2010年德国政府DAAD国际学术交流音乐艺术奖得主。她在世界各地首演了无数当代著名作曲家的作品:她曾以尼尔斯·维格朗的作品《生活画册》 轰动法国奥尔良;在纽约首演了约翰·斯洛弗的《Exercise in Deism》和旅美青年作曲家王馥淳的《Intimate Rejection》;2008年,在比利时根特,首演弗雷德里克·列夫斯基的《大路》,并被授予Logos Award最佳表演奖。

近年,柴琼妍还曾首次把prepared piano(加料钢琴:通过某些小设备改变琴弦音色的钢琴)引入中国,在上海音乐厅演奏约翰·斯洛弗的作品《木槌舞》,给这座城市带来了一股国际当代音乐的前卫新风。

柴琼妍3岁随母习琴,7岁考入上海音乐学院,先后师从巢志珏、王晴华、王建中等多位知名教授。12岁凭着一股“初生牛犊不怕虎”的勇气,只身远赴北欧,参加瑞典希尔国际钢琴比赛,勇夺第三名。次年,又以优异成绩考入国际顶尖的音乐学府--美国柯蒂斯音乐学院,并成为该校有史以来最年轻的中国学生。

在柯蒂斯,柴琼妍师从著名钢琴教育家西摩尔·里普金整整7年。然而在接受了4年严格的专业训练后,柴琼妍开始质疑音乐之路是否真的适合她。她变得消沉,开始有意无意地回避练琴,就这样度过了两年黯淡的青春岁月。17岁那年夏天,她回上海过暑假,一次偶尔的机会,在一家茶馆,她突然听到后院飘来肖邦的音乐,“我的眼泪一下子夺眶而出,止也止不住,就像上海夏天突如其来的一场雷阵雨,”事后她回忆说,“就在那一刻,我知道我真正想要的还是成为一名钢琴家”。返美后,在柯蒂斯的最后一年,“我像疯了一样拼命练琴”。短短一年,临到毕业之际,柴琼妍已然是一个成熟了许多,同时又充满青春活力的年轻艺术家了。

之后,她以全额奖学金考入纽约曼哈顿音乐学院,拜在名师所罗门·米可夫斯基博士门下攻读钢琴硕士。在此期间,除了演奏常规的古典曲目外,柴琼妍开始察觉到内心另有一种渴求。在不断地自我追问与求索中,她给自己找到了一位真正相契的精神导师--学院作曲系主任尼尔斯·维格朗。正是在他的支持下,柴琼妍长久以来喜爱当代音乐的天性才得以淋漓尽致地展现开来。读博士期间,她更是做出了一个大胆的决定,决心师从当代钢琴大师安东尼·德·麦尔,专攻当代音乐!

An adventurous and prodigiously talented young player, Jenny Q Chai cultivates a mercurial and engrossing stage presence and seeks to create “fairy tales for grown-ups” in her themed and multimedia concert performances.

Ms. Chai‘s unique programs include standard classical repertoire such as Schumann and Debussy to 20th and 21st century piano works, often by living composers, such as Marco Stroppa, with whom she has a close affiliation.

Recently having made her Carnegie Hall debut at Zankel Hall, piano performing artist Jenny Q Chai was praised by the New York Times’ Anthony Tommasini for her “resourceful technique and sensitivity” as well as playing that is “admirable for its refinement and directness.” Of her performance at the Keys to the Future Festival, Zachary Woolfe wrote, also in the New York Times: “Jenny Q Chai opened the concert playing two of Ligeti‘s tudes with rich tone and rhythmic clarity; especially strong was her “Cordes à vide.” In addition to Carnegie Hall, Jenny has played at New York venues such as Le Poisson Rouge, Roulette, Symphony Space, the Stone and recently made her Chicago debut playing Schumann’s Kreisleriana at the Dame Myra Hess Series.

Recipient of the Yvar Mikhashoff Trust‘s 2011 Pianist/Composer Commissioning Project, first prize winner of the Keys to the Future Contemporary Solo Piano Festival, and recipient of the DAAD Arts and Performance award in 2010, Chai has premiered, most notably, Life Sketches and Five Pieces (for Jenny Q Chai) by Nils Vigeland, Intimate Rejection by Ashley Fu-Tsun Wang, Messiaen’s Canteyodjaya (China premiere) and Marco Stroppa‘s Innige Cavatina (US premiere). Chai has also premiered “Marriage (Mile 58) Section F” from The Road by Frederick Rzewski in Ghent, Belgium, where she was given the Logos Award for the best performance of 2008. Chai played the first contemporary solo piano concert in China this June at the National Performing Arts Center in Beijing; and she recently had the privilege of introducing the concept of prepared piano to a Chinese audience, with the world premiere of Mallet Dance by John Slover, in Shanghai Concert Hall.

节目单

1. 德彪西:前奏曲“原野上的风”

Debussy: Prelude “Le vent dans la plaine”

2. 德彪西:前奏曲“水中仙”

Debussy: Prelude “Ondine”

3. 德彪西:前奏曲“沉没的教堂”

Debussy: Prelude “La cathédrale engloutie”

4. 库尔塔格:与撒旦的平静谈话

Kurtag: Quiet talk with the Devil

5. 库尔塔格:告别

Kurtag: Les adieux

6. 库尔塔格:向斯卡拉蒂致敬

Kurtag: Hommage à Scarlatti

7. 斯卡拉蒂:钢琴奏鸣曲

Scarlatti: Sonatas

8. 吉本斯:意大利的土地

Gibbons: The Italian Ground

9. 马可·斯特罗帕:催眠曲

Marco Stroppa: Ninnananna from Miniature Estrose

10. 亨利·考威尔:Aelolian Harp

Henry Cowell:Aelolian Harp

11. 亨利·考威尔:三首爱尔兰传说

Henry Cowell:Three Irish Legends

I. The tides of Manaunaun

II. The hero sun

III. The voice of Lir

12. Annie Gosfiel:1941年10月5日的布鲁克林

Annie Gosfiel: “Brooklyn, October 5, 1941” For piano. baseballs and baseball mit

13. 拉威尔:镜子组曲之“汪洋孤舟”

Ravel: Une Barque Sur L’océan from Miroirs

14. 约翰·凯奇:十八个春天的美妙寡妇

The Wonderful Widow of Eighteen Springs

艺人团体介绍

柴琼妍

作为一个被誉为“辉煌、无畏的年轻钢琴家,” 柴琼妍(Jenny Q Chai)活跃于当今国际舞台,她最全心投入也最擅长的是演绎当代音乐。

柴琼妍是Yvar Mikhashoff 2011年国际比赛冠军,“通向未来”国际当代钢琴比赛一等奖获得者,2010年德国政府DAAD国际学术交流音乐艺术奖得主。她在世界各地首演了无数当代著名作曲家的作品:她曾以尼尔斯·维格朗的作品《生活画册》 轰动法国奥尔良;在纽约首演了约翰·斯洛弗的《Exercise in Deism》和旅美青年作曲家王馥淳的《Intimate Rejection》;2008年,在比利时根特,首演弗雷德里克·列夫斯基的《大路》,并被授予Logos Award最佳表演奖。

近年,柴琼妍还曾首次把prepared piano(加料钢琴:通过某些小设备改变琴弦音色的钢琴)引入中国,在上海音乐厅演奏约翰·斯洛弗的作品《木槌舞》,给这座城市带来了一股国际当代音乐的前卫新风。

柴琼妍3岁随母习琴,7岁考入上海音乐学院,先后师从巢志珏、王晴华、王建中等多位知名教授。12岁凭着一股“初生牛犊不怕虎”的勇气,只身远赴北欧,参加瑞典希尔国际钢琴比赛,勇夺第三名。次年,又以优异成绩考入国际顶尖的音乐学府--美国柯蒂斯音乐学院,并成为该校有史以来最年轻的中国学生。

在柯蒂斯,柴琼妍师从著名钢琴教育家西摩尔·里普金整整7年。然而在接受了4年严格的专业训练后,柴琼妍开始质疑音乐之路是否真的适合她。她变得消沉,开始有意无意地回避练琴,就这样度过了两年黯淡的青春岁月。17岁那年夏天,她回上海过暑假,一次偶尔的机会,在一家茶馆,她突然听到后院飘来肖邦的音乐,“我的眼泪一下子夺眶而出,止也止不住,就像上海夏天突如其来的一场雷阵雨,”事后她回忆说,“就在那一刻,我知道我真正想要的还是成为一名钢琴家”。返美后,在柯蒂斯的最后一年,“我像疯了一样拼命练琴”。短短一年,临到毕业之际,柴琼妍已然是一个成熟了许多,同时又充满青春活力的年轻艺术家了。

之后,她以全额奖学金考入纽约曼哈顿音乐学院,拜在名师所罗门·米可夫斯基博士门下攻读钢琴硕士。在此期间,除了演奏常规的古典曲目外,柴琼妍开始察觉到内心另有一种渴求。在不断地自我追问与求索中,她给自己找到了一位真正相契的精神导师--学院作曲系主任尼尔斯·维格朗。正是在他的支持下,柴琼妍长久以来喜爱当代音乐的天性才得以淋漓尽致地展现开来。读博士期间,她更是做出了一个大胆的决定,决心师从当代钢琴大师安东尼·德·麦尔,专攻当代音乐!

An adventurous and prodigiously talented young player, Jenny Q Chai cultivates a mercurial and engrossing stage presence and seeks to create “fairy tales for grown-ups” in her themed and multimedia concert performances.

Ms. Chai‘s unique programs include standard classical repertoire such as Schumann and Debussy to 20th and 21st century piano works, often by living composers, such as Marco Stroppa, with whom she has a close affiliation.

Recently having made her Carnegie Hall debut at Zankel Hall, piano performing artist Jenny Q Chai was praised by the New York Times’ Anthony Tommasini for her “resourceful technique and sensitivity” as well as playing that is “admirable for its refinement and directness.” Of her performance at the Keys to the Future Festival, Zachary Woolfe wrote, also in the New York Times: “Jenny Q Chai opened the concert playing two of Ligeti‘s tudes with rich tone and rhythmic clarity; especially strong was her “Cordes à vide.” In addition to Carnegie Hall, Jenny has played at New York venues such as Le Poisson Rouge, Roulette, Symphony Space, the Stone and recently made her Chicago debut playing Schumann’s Kreisleriana at the Dame Myra Hess Series.

Recipient of the Yvar Mikhashoff Trust‘s 2011 Pianist/Composer Commissioning Project, first prize winner of the Keys to the Future Contemporary Solo Piano Festival, and recipient of the DAAD Arts and Performance award in 2010, Chai has premiered, most notably, Life Sketches and Five Pieces (for Jenny Q Chai) by Nils Vigeland, Intimate Rejection by Ashley Fu-Tsun Wang, Messiaen’s Canteyodjaya (China premiere) and Marco Stroppa‘s Innige Cavatina (US premiere). Chai has also premiered “Marriage (Mile 58) Section F” from The Road by Frederick Rzewski in Ghent, Belgium, where she was given the Logos Award for the best performance of 2008. Chai played the first contemporary solo piano concert in China this June at the National Performing Arts Center in Beijing; and she recently had the privilege of introducing the concept of prepared piano to a Chinese audience, with the world premiere of Mallet Dance by John Slover, in Shanghai Concert Hall.

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