永乐票务 > 舞蹈芭蕾 > 舞剧 > 2014 中印友好交流年, 印度掠影活动-印度舞蹈魅影七重奏

2014 中印友好交流年, 印度掠影活动-印度舞蹈魅影七重奏 [已结束]

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2014 中印友好交流年, 印度掠影活动-印度舞蹈魅影七重奏
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基本信息

2014.06.27 - 2014.06.29

梅兰芳大剧院

约70分钟

可提前1小时入场

a) 演出详情仅供参考,具体信息以现场为准;
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演出详情

剧情介绍《印度舞的七重奏》


Saptakam:


图1



Saptakam是一种糅合了七种不同印度舞表演形式的舞蹈,创作灵感源于《阿闼婆 吠陀》—围绕人类生活,阐释了集体生活哲学的印度四大古文学作品之一。这种哲学基于对众生互补的欣赏和相互理解的需要,并指引我们的生活。印度古文献《舞论》中对戏剧艺术之舞蹈概念的描述正是对这种哲学的诠释。

图2


Saptakam 将印度不同地方的舞蹈融合在一起,很好地利用了印度美学里有形的和无形的处理方式。通过一种微妙的形式,给观众呈现一台在寺庙和皇室发展起来的南印度舞蹈-婆罗多舞;印度东北部舞蹈-曼利普里舞起源于克利须那神的祭祀活动;印度东部的奥迪西舞的舞蹈动作模仿了中世纪的雕塑;印度最南部的卡塔卡利舞唤起人们对神话的向往和热情;印度北部的卡塔克舞的舞步最迷人;东北部的外士那瓦修道院萨提亚舞使人沉静;印度南部的库契普迪舞巧妙地融合了传统与经典;这些舞蹈都将在Saptakam 中表现的淋漓尽致。

: Saptakam

图3


A Septet of Indian Dance

Saptakam, a choreography which unites seven different forms of Indian dance, has grown out of a hymn in the Atharva Veda, one of the four ancient Indic texts encompassing the life of man on earth, enunciating the philosophy of collective living. This philosophy is based on an appreciation of the complementarity of all living beings and the need for mutual understanding and regard in the conduct of our lives.  The philosophy finds a reflection in the conceptualization of dance in India’s ancient treatise on the dramatic arts, the Natyashastra, ascribed to the sage Bharata.

As it brings together dances evolved in various parts of the Indian subcontinent, Saptakam also plays upon the relation between forms and the formless dealt with in Indian aesthetics.  Through a subtle and dynamic interplay of forms which dissolve into one another, it brings before the viewer the Bharatanatyam of southern India, a dance nurtured in temples and royal courts; the Manipuri dance of north-eastern India, grown out of ritual worship of Krishna; the Odissi dance of eastern India recapturing forms of medieval statuary; the Kathakali of southernmost India evoking primordial passion through its enactment of myth; the sparkling Kathak dance of northern India captivating with its footwork and pirouettes; the serene Sattriya dance of the Vaishnava monasteries of the North-east; and the Kuchipudi dance of  South India blending folk tradition of drama with its classical grammar.  Each of these dance forms comes alive in Saptakam making space for the other as the choreography unfolds through its successive movements.


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